Nepantla Collaboration/Colaboracíon

with Ander Azpiri and Griselda Rosas
2024




Untitled, Telar Mediano, from Nepantla Colaboracíon

2023
Natural cotton and Manila rope, dyed cotton twill, copper wire.
38” x 18” x 8”




Nepantla, Telar Grande

2023
Natural cotton, Manila, and synthetic ropes, strings, dyed cotton twill, yellow t-shirts, pvc hose, extension cord, copper wire, steel rod.
84” x 60”



This is a collaboration between three artists, on both sides of the Mexico-US border. The result is an ensemble of collective works based on the “nepantla” concept: a word in Náhuatl language that means “in between”. Using textile, sculpture and audiovisual media, the project examines a possible dialogue between diverse cultures and world views, facing the difficulty (or impossibility) of translation. Individual authorship is put aside towards a transitional place, a kind of speculative cartography. In this way, “Nepantla” becomes a condition of doubt, maybe the only possible one in the current world context: joyful hesitation as a baseline to face the radical transformations we bear witness to. The artworks, created since 2023, include a large format tapestry, drawings, several handheld objects made with wood and weaving that come alive through manipulation and video.




Raqueta Azul

2023
Ash, cane, string, acrylic paint.
62” x 18” x 13”






Raqueta Cobre

2023
Ash, copper.
74” x 21” x 9”







Raqueta Rosa

2023
Ash, string, aluminum.
74” x 18” x 9”





Installation Views from Nepantla Collaboration

Staniar Gallery, Lexington, VA. 2024











Survival Based Camp

2012

Video

Sandy de Lissovoy and David Kelley produced Survival Based Camp, a 20-minute single-channel video, filmed at various sites in Brooklyn and Northeast Los Angeles. Through their multiyear, bi-coastal collaboration, Los Angeles-based artist de Lissovoy and New York-based artist Kelley built a series of sculptures from lightweight wood, hinged and stretched with fabric. The sculptures function in the video as props and architecture, alluding to the temporary and theatrical quality of stage sets or unfinished buildings. Performers interact with these objects, forming sequences of choreographed movements and improvisations, in which the performers discover their physical relationships to the sculptures and to the in-between spaces of the urban and industrial sites that they occupy.
Mark


Survival Based Camp

2010
with David Kelley


Las Cienegas Projects, Los Angeles.